capture one pro

The new version of the Capture One image-editing software adds updates and new features, but the biggest gain is in speed and efficiency. When it comes to image editing, Capture One Pro for the Mac is about polishing the diamond. Here's our review. Capture One Pro is a comprehensive 101 level course designed for photographers and retouchers to learn the most powerful RAW processing & post-production.

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Capture one pro

Capture One 21 is here

Transform your editing experience with a revolutionary Speed Edit tool and the most authentic color profiles yet.

Revolutionize how fast you edit photos. Speed Edit lets you work seamlessly without touching a slider on the interface – simply hold down selected hotkeys and scroll, drag or use the arrow keys to make rapid edits. You can even adjust multiple photos at once for the fastest ever batch edit.

Color control

Process photos with true-to-life colors tailored to your camera – then adjust them further with a full suite of color tools.

Details and lens profiles

Process the highest quality RAW files with the sharpest details. And minimize distortion and light fall-off thanks to custom lens profiles.

Image editing

Take creative control of your images with powerful and precise photo editing tools.

Layers and Masks

Focus your edits on specific parts of your image – without affecting the rest. Apply up to 16 layers and create precise masks to separate areas for editing.


From individual images to thousands of shots, stay on top of projects and files with smart management tools. Plus, get advanced settings to export different file types faster.

Workflow and performance

Get a seamless photo editing process thanks to a personalized interface and fast performance.

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CAPTURE ONE PRO// Unleash the Power of Credo

The Professional Choice in Imaging Software

Capture One Pro is the world’s best raw converter, rendering precise colors and incredible detail with support for leading high-end cameras. It contains all the essential adjustment tools and fast, responsive performance in one customizable and integrated solution.

Built on the world's best raw processing engine, Capture One Pro is the professional choice in imaging software. It gives photographers the highly responsive, precision tools they need to create stunning out-of-the-box images from leading high-end cameras. With a fast and intuitive workflow, it can be customized to fit unique project requirements.

Capture One Pro and Capture One DB 8 have RAW file support for the following Leaf digital backs:

Credo 80, Credo 60, Credo 50, Credo 40, Aptus-II 12R, Aptus-II 12, Aptus-II 10R, Aptus-II 10, Aptus-II 8, Aptus-II 7, Aptus-II 6, Aptus-II 5, AFi-II 12, AFi-II 10, AFi-II 7, AFi-II 6.

Additionally, Capture One Pro 8 supports RAW files from the following Leaf digital backs:

Aptus 75S, Aptus 65S, Aptus 54S, AFi 7, AFi 6, AFi 5, Aptus 75, Aptus 65, Aptus 22, Aptus 17.


Capture One Pro has tethered support for the following Leaf digital backs:

Credo 80, Credo 60, Credo 50, Credo 40, Aptus-II 12R, Aptus-II 12, Aptus-II 10R, Aptus-II 10, Aptus-II 8, Aptus-II 7, Aptus-II 6, Aptus-II 5, AFi-II 12, AFi-II 10, AFi-II 7, AFi-II 6.

Additionally, Capture One Pro has tethered support for the following Leaf digital backs:

Aptus 75S, Aptus 65S, Aptus 54S, AFi 7, AFi 6, AFi 5, Aptus 75, Aptus 65, Aptus 22, Aptus 17.

When shooting in the studio, Capture Pilot™ allows you to use your iPhone, iPad, or iPod Touch to remotely view, zoom, rate, tag, and pan high resolution Mamiya Leaf and Phase One RAW files as well as RAW, JPEG and TIFF images from most DSLRs while you shoot. The unique and easy-to-use rating and tagging feature of Capture Pilot enables clients and peers in the studio or on location to participate in the shoot and to provide instant feedback.


Capture One Pro's tailor-made camera profiles are renowned for providing ultimate image quality for leading digital cameras. Each format factory 3.6 0 full crack - Crack Key For U is tested and fine tuned extensively by our image quality team to create a customized profile that brings out the very best in your camera. Capture One Pro can be used with more than 500 different camera models.


Personalise Your Workspace In Capture One Pro 7

Capture One Pro 7
Above: The simplified workspace in Capture One Pro 7, discussed further down the article, looks like capture one pro three key elements of the Capture One Prouser interface are the Viewer, Browser and Tools.

Viewer:You can view multiple or single images in the main viewer window.

Browser:The browser gives you filmstrip-like images which can be placed on the left, the right, or the bottom of the workspace. Additionally, the browser can be positioned in grid mode, which displays two or three columns, and also offers a details view where you can dig deep into the details of the images and see elements such as aperture, focal length, shutter speed, etc.

Tools:Tool tabs (which can be easily adapted, added, and subtracted) and Tools can be placed left, right, bottom or float over the viewer workspace.

You can make the interface as complex or simple as you like. Multiple tools can be displayed for a complex job or you can use a clean interface. There's also an option to create a dual monitor user interface and position tools on one monitor and the viewer on the other.

Photographers who want to stick with a known/established workspace, can choose default workspaces from previous versions of Capture One Pro and if you are moving from another image editing application, you can set up the tools and the workspace in Capture One Pro to match capture one pro way you were used to working.

At the capture one pro, a selection of default workspaces are available to guide you through the process, including a very simplified workspace. 

How To Customise Your Workspace:

Upon opening Capture One Pro, from the top toolbar, go to Window>Workspace>Default

How To Remove A Tool Tab:

1. Go to View>Remove Tool Tab and select the tool tab that is not needed. Alternatively, right click on the Tool Tab bar.

2. Go to Remove Tool Tab and select the tool tab that is not needed (you can always add it later).

How To Add A Custom Tool Bar:

1. Right click on the tool tab and select Add new Tool Tab>Custom Tool Tab from the drop down menu. 
  (Alternatively, go to View>Add Tool Tab>Custom Tool Tab).

2. A dialog box will appear. Name the Tab, choose an icon and press Add Tab. The icon will appear in the Tool Tab bar.

3. Right click on the icon and select Add Tool from the drop down menu and select a desired tool. Repeat this procedure to add more tools.

4. To rearrange the Tool Tab bar, press CMD/ALT (Mac/PC) and drag icons in the tab menu to the preferred position.

How To Customise The Interface: 

Experiment with the default workspaces by choosing Window>Workspace and select an option that best fits your workflow.

For example, you can choose to position the browser on the left side, hide the browser entirely, choose auto mode which will cause the browser to appear when your cursor is positioned over its location or place the browser on the right. You can also control the size and position of the thumbnails displayed in the browser, including grid mode.

Further customisation choices can be found under Preferences. 

How To Create A Dual Monitor User Interface:

1. Select Window>Viewer to create an extra Viewer (move the Viewer to a second monitor if necessary).

2. Select View>Hide Viewer. The Viewer within the main user interface will disappear and the browser thumbnails will replace it.

3. Move your cursor to the side of the Viewer to access the default Tool Tabs (more Tool Tabs can be added).

4. Individual tools can also be moved to float freely. Simply click on the bar at the top of any tool, then drag and drop it to a desired position. You can drag windows across monitors to change configuration and when you have saved it, it will remember that configuration.

How To Save Your Customised Workspace:

1. Once you have created your desired workspace, choose Window>Work Space>Save Workspace.

2. Name the workspace in the Save Workspace window and choose Save.

3. The workspace is now available from Window>Workspace.

Switching Between Workspaces

This is easily done in the Window>Workspaces menu found in the toolbar. It’s also here you can save and delete your custom Workspaces.

Capture Pro One 7 workspace adjustment

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Capture One Pro Software Price $99.95

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Final Words

So, should you switch to Capture One? It all depends on what you’re looking for.

If you really want to get off the Adobe subscription model and you don’t need to edit across various devices or platforms, it’s a great option.

It’s also a great option if you work with color a lot, need annotations or shoot tethered. Studio photographers might also choose to organize by sessions rather than the catalog.

With Capture One Pro, there’s simply no better software for viewing and editing Adobe Photoshop CC Crack Download pc2links as they were meant to be viewed by the camera manufacturer.

In the words of Master of Photography Peter Eastway, “Using Capture One after using Lightroom is like looking through a window that was once dirty.”

On the other hand, if you shoot in HDR or create panoramas, regularly use third-party plugins, face recognition, or need to use the cloud, Capture One won’t work for you. Also, if you need precise and powerful keywording options, Lightroom has this part nailed.

Price-wise it’s really up in the air, with Capture One generally coming out more expensive than Lightroom and certainly more than Luminar, On1, or even  DxO Optics Pro.

However, you are able to buy Capture One Pro 12 outright, which is more than we can say for Lightroom…

What do you think? Is it worth the switch?

Highly Recommended

Capture One Review by Shotkit
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Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. The products in this post may contain affiliate links.

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There are a few places where Capture One falls short. They’re admittedly quite minor feature omissions, but have a read to see if they would hinder your workflow.

👎🏼  Lack of Third-party Plugins

Until this most recent version (12), Capture One didn’t have any third-party plugin capabilities. For those of us who use them regularly, this could be an issue.

Into Nik or Topaz filters? No go. Like Skylum’s Luminar or Aurora HDR plugins? You’re out of luck. Use any of the fantastic portrait packages out there? Too bad.

Of course, if plugins aren’t a key part of your work flow, this won’t be an issue. I, however, shoot regularly in HDR and really don’t enjoy having to switch between programs.

Capture One has no HDR ability

Capture One only has a few third-party plugins and no ability to do HDR or panoramas.

As it is, Capture One lets me send the photos to Aurora HDR, but then I have to export from Aurora and re-import to Capture One. No fun.

One thing new in version 12, though, though, is export plug-in support. To date there are only three available plug-ins: Format portfolio service, Helicon Focus (for focus stacking), and JPEGmini’s resizing. At least it’s a start…

👎🏼  No HDR or Panoramas

To add insult to injury for us HDR photographers, Capture One doesn’t have any native HDR options.

We can’t use a plugin and there’s no native version. Same is true for panoramas.

👎🏼  Limited Organization

Most people say that Lightroom beats Capture One in terms of organization, but I’m wondering if that has to do with the frustrations of learning a new system.

There are a few things Lightroom has that Capture One doesn’t have, but in general all the key features are there. (It’s finding them that’s frustrating, at least for someone coming from Lightroom.)

Unlike Lightroom Classic, Capture One doesn’t yet have face detection software. I’m not much of an event photographer, so this isn’t an important feature for me.

Capture One also doesn’t have AI keywording, a feature Lightroom CC has. Since most photographers are probably using Lightroom Classic, it’s hard to miss what you’ve never had. Still, this feature has a lot of amazing potential and I’d be curious to see if Capture One adds it in the future.

Other than these two features, I haven’t really found anywhere that Capture One Pro is seriously lacking in terms of organization.

👎🏼  No History Panel

The history panel is a tool I use often. It’s the easiest way for me to see what I’m doing if I need to go back a few steps in my workflow.

While Capture One lets you undo edits and easily reset adjustments (more easily than Lightroom, actually), not having a history panel really cramps my style.

There are workarounds, like creating a number of clone variants, etc., but it’s not quite the same.

👎🏼  Other Things

There are a few other things I don’t like, but this might be because I’m so used to Lightroom. One of these is that when I rename a file, it moves to somewhere else in the catalog, which can get annoying when trying to compare a series of photos.

I also don’t like how the tilt/straighten tool is separate from the crop tool (a la Photoshop). I’m not quite sure why they separated these, but this adds an extra step to my workflow.

I also don’t like that some very basic features are lacking from the Express version. For instance, there’s no vignette option. This bothers me, as it forces me to go to another program if I need one. Since there’s no plugin options, I have to completely leave Capture One and then reimport for something as simple as a vignette.

There are also no online sharing options, which will definitely affect some folks. (I don’t use them, but I know others do.) You’re also out of luck if you need cloud computing options.

I’m sure there are plenty of other little things here and there, but at some point it feels like nit-picking.

Capture One vs Lightroom

I’ll be comparing Capture One Pro vs Lightroom in detail in another article,  so I’ll keep it brief here.

Where Capture One wins: 

  • Completely customizable workspaces
  • Raw image conversion
  • Color adjustments
  • Layers and Luminosity masks
  • Session-based organization option
  • Annotations
  • Tethering abilities
  • The Shadows and Highlights sliders have a greater range of tone control
  • Almost no third party plugins

Where Lightroom wins:

  • Organization
  • HDR and Panorama ability
  • Third-party plugins
  • Price
  • Social media integration
  • Face detection
  • Better noise reduction
  • Fully integrated with other Adobe products
  • Extensive Keywording support, including AI
  • Cleaner Interface

Capture One Price

Unless you’re (solely) a Sony or Fujifilm shooter, Capture One Pro isn’t particularly cheap.

In fact, if you count in upgrades, Lightroom + Photoshop ($10.99/month) may seem the better deal – at least for short term use. Let’s take a look at the numbers.

Capture One Pro (full version):

  • You can buy the software outright for $299
  • subscribe for $20 per month,
  • or pay $15 monthly, if you prepay for a year.

(The above Capture One prices are correct at time of writing)

Any of these options will give you three Capture One Pro licenses (more than Adobe’s two-computer maximum).

At the moment, upgrades for future versions cost $120 or more, depending on what version you’re upgrading from. That’s pretty steep, especially if upgrades come out once every one-two years.

You can get the Pro version exclusively for Sony or Fujifilm for a 50% discount here (limited time), which will work if you’re really just a single-brand user and don’t force yourself ever switching. If you want to switch, you’ll need to upgrade to the full Pro version (prices vary on this).

The bottom line? Only buy the full version if you’re planning to use it more than 2 years and upgrade infrequently.

Capture One Review

Capture One and FastSpring: A Case Study

The Challenge

With decades of success developing industry-leading hardware as part of Phase One, Capture One is uniquely positioned to help photographers and imaging experts all over the world. With the growing software market Capture One is now ready to take the lead with their photo editing software.

The Capture One team identified a new stream of revenue for their business by monetizing the Capture One photo editing software that supports their successful hardware business. Initially, the team built an in-house ecommerce solution to power their online store. However, the team quickly realized their homegrown solution wasn’t going to work as their software business continued to grow.

“We realized we needed a completely new ecommerce platform because all the things that we wanted to do in the modern ecommerce world we couldn’t do. We couldn’t do anything without it turning into an IT project because our e-shop was built for one product and nothing else. Which didn’t work when we outgrew our one product.”

The Solution

The Capture One team reviewed their options for a trusted partner and ecommerce platform to help them quickly build and maintain their expanding online store. So they can focus on what they do best—building great software while staying lean and efficient.

The team needed an experienced partner that could help them turn their online store into a modern shopping experience to drive sales from around the world without requiring IT resources. They wanted a solution that was flexible, nimble, and would set them up for success in a competitive global marketplace.

After a thorough review process, Capture One chose FastSpring as their trusted ecommerce partner for several reasons, including:

  • FastSpring’s long history in the ecommerce space and experience with helping businesses sell more, faster, and globally.
  • FastSpring is an invested partner in Capture One’s success and designed to grow alongside their business.
  • The unified ecommerce platform that includes all of the necessary ecommerce features Capture One needed to run their online store.
  • FastSpring’s platform saves Capture One time and money by freeing up their IT team to work on building new innovative products.
  • Capture One saw a lift of 40% on their software bundle sales, an increase in average order value, and, ultimately, annual revenue.

“We were focused on not only finding an ecommerce platform that worked but also on building a relationship and partnership, which I believe is very important. You don’t want to buy something and then be alone. You need a good partnership. In the end, we picked FastSpring because they showed us they wanted to be a true partner.”

The Results

“It’s easier to do business with us. Customers can pay in their own currency with the payment option they want, and it’s all in their local language. This makes a huge difference in our conversion rate.” 

After running an A/B of the FastSpring platform, the Capture One team was delighted with the results. They were able to expand into new global markets with localized checkout experiences that automatically display accurate pricing, language, currency, and taxes for every customer around the world. In-depth platform analytics provide actionable insights for the Capture One team so that they can easily test new ideas and see the results. Flexibility and ease of the platform gave the team more power to execute on new initiatives while saving time and increased team morale. 

The initial success with FastSpring has the Capture One team excited to implement more platform features and build out an affiliate program. 

“The communication with FastSpring makes me happy because FastSpring is invested in our business and offers new ways of approaching what we are doing. The best practices, tips, and resources on how to improve our online store is a huge benefit.” 


Capture One 21 (updated) Review

There are three strands to Capture One’s functionality, image capture, organisation and editing. The controls governing these functions are arranged into sections accessed by clicking on the icons (shown above) at the top of the control panel that by default is on the left of the screen.

The folder icon accesses the importing and cataloguing controls while the camera icon accesses the remote capture or tethering controls. Most of the editing controls are accessed via the next three icons.

The capture element is useful for studio photographers who want to shoot with their camera tethered to their computer. It enables remote control over the camera, which reduces camera shake, but more significantly, it means you can preview the image on a larger screen rather than on the back of the camera. Also, the image is stored on the drive selected on the computer, so you don’t need to transfer images from a card in the camera.

Capture One is the first software to enable tethering of Leica cameras.

Capture One 21 review

Capture One Workflow

Capture One offers two workflow options, Session or Catalog. Session mode is particularly useful for photographers who shoot for clients. It’s designed to enable you to work on discrete batches of images, selecting your best shots, editing them and then sending them to the client.

Session mode is a good choice when shooting tethered, but it can also be used when you save images to a card in the camera.

Perhaps the most attractive feature for anyone thinking about switching from Photoshop, however, is that you don’t need to import images to work in Session mode. You can browse your image files wherever they are stored, then select and edit them as you like before outputting them in your preferred format to a folder of your choosing.

If you’re using the 30-day free trial of Capture One 21, it might be a good idea to use it in Session mode so that you don’t have to create a catalog or import images.

Lightroom doesn’t have the equivalent of a Session mode.

Catalog mode sets Capture One to work in a similar way to Lightroom with images being imported ready for rating, labelling, keywording and editing. It also enables you to filter images using EXIF data or keywords and create Albums based upon those filters or searches.

In Catalog mode, the images can be left in their existing storage location, but unlike Lightroom, they can also be imported into and stored within the Catalog. The advantage of the latter approach is that it means that everything is contained in one file that can be transferred, copied and backed-up without creating missing links.

Conveniently, Capture One doesn’t force you to stick rigidly to one workflow or the other, you can use Session and Catalog mode at the same time.

Capture One 21 Review

Capture One Editing Tools

Capture One has all the editing tools that you’d expect, including simple sliding controls to adjust aspects such as exposure, contrast, brightness and saturation as well as more sophisticated tools like the Curve tool that lets you adjust the brightness of particular tones and work on overall brightness or the three colour channels separately.

It’s also possible to make local adjustments using the brush, gradient and radial masking tools or the healing or cloning mask tools. These are all found in the Layers section. Helpfully, the brush, gradient and radial masking tools can be used to selectively apply any of the adjustments available in Capture One 21.

Crucially, the edits made in Capture One are non-destructive.

New Features for Capture One 21

Speed Edit
Speed Edit lets you adjust images without touching a slider, you just hold down selected hotkeys and scroll, drag or use the arrow keys to make quick edits. This approach can be taken with several images for fast batch editing.

Although haze reduction has been possible within Capture One for a while, it previously required a combination of tools to get the desired result. Capture One 21 has a dedicated Dehaze tool that uses deep analytic algorithms to assess and automatically adjust contrast, saturation and other parameters to remove haze.

Faster File Management
Capture One 21 enables files to be imported faster than the previous version and search results appear quicker. In addition, thumbnails render quicker when browsing Catalogs and Sessions.

It’s also possible to import images from several folders at once and to select specific images for import.

Enhanced Tooltips
Simply hover over a tool to see a short explanation of how it works along with links for more learning. This can be enabled or disabled via the Preferences.

A new ‘Learn’ button gives a quick route to a selection of tutorials from within the software.

HEIC Support
With support for HEIC files (8-bit), you can now edit photos from your Apple devices and more in Capture One.

ProStandard Profiles
New colour science/technology in the new ProStandard Profiles enables you to make adjustments while retaining the true colour of the scene and prevent unwanted colour shifts caused by contrast changes.

This isn’t automatically enabled for existing cameras to prevent the software from making retrospective adjustments to previously edited images, but it can be activated. The profiles will also be available for any new cameras that come along.

At the time fo writing, Capture One 21 offers ProStandard Profiles for 22 cameras from Canon, Leica, Nikon, Phase One and Sony, but more are said to be in the pipeline.

Follow the link to see the cameras with ProStandard Profiles

Easy Brush Adjusting
Capture One 21 enables the size, hardness, opacity, and flow of any brush to be adjusted using modifier keys and a mouse or trackpad or pen, removing the need to right-click.

Extended Leica support
Capture One 21 brings a new level of support for a growing list of Leica cameras, and for the first time brings tethering capabilities to those models.

This support includes the development of unique camera-specific profiles that take into account the colour, sharpness, and noise characteristics of the camera model.

Style Brushes
Style Brushes were added to Capture One 21 with the 14.1.10 update released in March 2021. They are tools that enable a selection of adjustments to be made with a brush, working directly on the image.

There’s a total of 22 different preset treatments that can be applied and they’re found in a new section under the Layers tool in the Exposure panel. They are organised into three groups, ‘Color’, ‘Light and Contrast’ and ‘Enhancements’ and they have names/functions such as ‘Color Balance (Cool), ‘Color Balance (warm)’, ‘Add Detail’, ‘Iris Enhance’, ‘Whiten Teeth’, ‘Red Skin Reduction’, ‘Dodge’, ‘Highlights (brighten)’ and ‘Highlights (recover)’.

Using a Style Brush automatically creates an adjustment layer with the name of the Brush being used, and the edits can be tweaked to get exactly the result you want.

It’s also possible to create your won style brushes, so if there’ an adjustment that you make on a regular basis, you can create a brush to apply it.


It all started with Apple Aperture for me. Back when Apple actually cared about photographers that didn’t shoot with an iPhone, they made a great software offering with that program. Unfortunately it was discontinued within a couple of years of me starting up photography. So, I had to find something else. If I had a choice back then, I didn’t know it. The way I saw it, it was either Lightroom or nothing. So I started migrating to an entirely new platform. I didn’t think much about file-rendering as such back then, I wasn’t even interested in nor did I know about differences in handling RAW files among converters.
I found my way within the functions of Lightroom, and I grew very fond of that software. But over the years as my photographic knowledge and skill reached new levels, I really started noticing some shortcomings within the Lightroom system.

Over the course of the last few years, as Fujifilm has gained a larger audience, and knowledge sharing has taken off, it has become apparent to many, including myself, that there is something in the way that Lightroom treats the RAF files that isn’t entirely optimal. It isn’t something that you can quick fix, since it is at the very core of decoding and treating the Fujifilm RAF files.

With advices and reasons for switching coming in from left and right, I have always stood up for Lightroom, since I always had a feeling that it was “good enough for me” – But during the last 18 months, I really started having a little nagging voice in my head saying “What if it isn’t good enough anymore?”

So I installed Capture One versions on trial basis. I really liked what I saw, but in the busy confines of my daily life I really didn’t give it that extra time needed to really switch over to the software. I ran some images through it, and then I opted out because it was simply too different from my regular approach, and I couldn’t be bothered going through that entire switching-thing again, as I had years back with Aperture.

I can not tell you why I suddenly felt that it was time to dive in to Capture One Pro, because I simply don’t know. It certainly wasn’t because I suddenly had more time to do such a transition, this winter has been busier than ever. But, I think I just felt the need to scratch that itch. To go down that road, and see if it really would make a difference to me, and finally shut down that voice in my head!

So for the duration of the 30 day trial I really went all in. I never loaded a single file into Lightroom. And I forced myself to really get into doing things in a different way, but still trying to achieve a look that I could call mine. And you know what? I was completely smitten with the program.

I had certainly developed into a Lightroom expert. I know that program better than I know my own back pocket! But from having used Capture One 10 for about 5 months now, I know that I had probably reached the ceiling in Lightroom. Before switching to Capture One, I did not know that I needed finer color controls, but having worked with CO10 makes me realise that I actually do.

I did not think the skin colours of my ginger kids could get any better than what I got in Lightroom, but Capture One proved me wrong.

I didn’t think that the orange color was more tame-able, but again I was wrong.

Slowly came the point of me surrendering completely. I now feel that I can achieve a much more balanced look to my images, that simply wasn’t possible for me in Lightroom. Not because it is bad software, but because I had reached the limit of my creative relationship with it. I knew it too well.

What I get from Capture One 10 is subtlety. Subtlety in colors, subtlety in tonality, subtlety in adjustments. I have to work more on my images, but not in a bad way. It’s just a definite indication of finer control options.

Capture One just released the 10.1 update. And for Fujifilm shooters it brings some considerable improvements. I was given a chance to try out a beta-version of the program, and the improvements are minute, but important to us as Fujifilm shooters none the less.

  1. You now have full compressed RAW file support from Fujifilm cameras. Yes, it reads them all. Fast and perfect. 
  2. The styles section has been completely redesigned. No more complex menu structure that clutters over your image. It’s now located in the tools bar, where it belongs!

There are other new features, but the above 2 are whats important to me.

I’m going to highlight a couple of features which I think really makes Capture One Pro 10.1 stand out from the competition.

First of all, let me touch down on the default treatment of the RAF files. And let me stress right away, that this is not a stab at Adobe Lightroom. I liked that software, and I still do. This is pixel peeping territory! – An area that I try to stay away from as much as I can. None the less this serves to prove a point that the Capture One engine does an incredible job with the notoriously hard to treat RAF files.

Capture One seems to do a lot better in regards to handling sharpness, detail and clarity at a default setting. This isn’t in any way indicative of the final result that you can achieve since all software lets you tweak these settings. This just means that straight out of the box, you get de facto better results without any additional tweaking of your RAF files.

In the example above you can see a less than stellar exposure, that isn’t all that important. What is important, however, is the 100% crops from the file.

Capture One 10.1 – Beta 3

Lightroom CC (2015.10) – (6.10)

It’s quite obvious, that there is something different going on in the CO software than in LR. This has been labeled “watercolor effect” – and it just doesn’t occur in Capture One. Whether or not this is important to your photography, is up to you. I’m just stating what I observe. And to me the results in Capture One is heaps better.

A thing that has really struck a chord with me after Fujifilm introduced the Acros film simulation which has tonality differentiated grain control in-camera is the effect that proper grain simulation can have on an image. I don’t need to mimic a film-look per se, but I really want to bring out some of the organics that comes from film. I know that digital will never be film-like, but I also know that there is a possibility of using some aids to achieve a softer look to an otherwise clinical digital file.

Capture One has some incredible grain modes. I like them all, but the one that really stand out to me is the “Silver Rich” type. The engineers behind it did an amazing job. It looks subtle, has great simulation of pure luminance grain with a very structured appearance. It feels right at home on a black and white image with low contrast and a dark-shadow pull. It is as close as you can get to the Acros grain straight out of camera. And if you have read my blog during the last year you’ll know that I think Acros is as close to perfection in the digital realm as you can get.

A tool within Capture One 10.1 that has my flying really high is the skin color correction tool. I have a couple of daughters with freckles and ginger hair. In the photographic landscape of 2017 I don’t think you’ll anything more “in” than that look – but! – The unfortunate side effect of that appearance is the ultra-pale magenta skintones that comes with it. In any other piece of software I’ve used up until Capture One 10.1 I have never been able to get them to look right, hence I’ve always settled for “good enough” – But I don’t have to anymore!

What you can do is, do a local adjustment to the skin area you want to correct. You can then chose the skin color picker, pick the skin color that you think is just right, and then adjust “uniformity” sliders to pull the unwanted tones closer to your selected colorrange. This is genius. In 30 seconds you can do complete color retouching without ever touching the underlying textures.

The last thing I want to talk about here is the styles.

Styles are the same as presets in Lightroom. It’s basically a way for you to save everything from cropping to curve adjustments in a single style, that you can quickly apply across multiple files. In addition to the styles CO also has presets. These are more specific to one image tweak. As an example you can make a universal grain setting and save it as a preset. It will then only apply grain and not overwrite any other image tweaks.

Styles and presets menu has been completely redesigned in Capture One 10.1. Prior to this version you had it as layered menus. What happened was that if you had your styles sorted in folders you would have a big folder tree expanding out over your image editing area. Less than perfect to say the least!

You now have them inline in your tools section. They expand locally, and they give you “live preview” in the main image area when hovering over them. Finally it works like it should.

You can find some brilliant old film simulations as Capture One styles online. I don’t miss anything from my previously used software in this regard.

So here we are. I switched. So what! – Another “switcher story”. I don’t care if you’re happy with your current software or not. But if you, like I had, have that feeling of “what if it can be done differently and maybe even better” then I strongly suggest you to try out Capture One.

It’s not a perfect software solution by any means, but to me it comes damn close! – And with these newest additions of a redesigned styles menu as well as COMPRESSED RAF support it really makes Capture One a great choice for the Fujifilm shooter.

Below are some samples of images that I have processed from compressed RAF files in Capture One 10.1. All images shot using Fujifilm cameras.


Capture One Review

This Capture One Review is by landscape and adventure photographer Usnea Lebendig. Having been a long time user of Lightroom, Usnea investigates the pros and cons of making the switch to Capture One Pro.

We live in a world where Adobe Lightroom is the industry standard for serious photographers, and many of us have used it for years.

Now that Adobe products are available only by subscription, many photographers are looking for an alternative.

Highly Recommended

Capture One Review by Shotkit
Capture One Pro 12

Photo editing software solution with powerful tools for organizing, colour grading, layer editing & more

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OnOne and Luminar are both looking for their share of the market, but Capture One Pro has long been the best professional Lightroom alternative, and many photographers are now turning to it.

My long background in Lightroom and Photoshop make me a bit of a hard sell. At the same time I’m shooting on modern gear, and converting everything to DNGs, so my antiquated non-subscription version of Lightroom is struggling to keep up.

So let’s see how Capture One measures up – is it still the best photo editor for professionals here in 2021?

What is Capture One?

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Save 10% by using coupon code SHOTKIT when purchasing Capture One.

Capture One is a professional-grade photo editing software designed for pros and serious enthusiasts.

It was first created with tethered image capturing in mind, but quickly branched out to a more full-fledged image processing program.

Now it offers exceptional RAW image file processing, image cataloging, layers, local adjustments, keystone adjustments, as well as just about all the features one would expect out of a pro image editing app.

There are a few different programs available including both free and paid.

The paid versions all have a free 30-day trial period, and I highly recommend you use this to have a play around.

You should also read our guide to Capture One vs Lightroom, if you’re having trouble deciding between the two.

Which Version of Capture One 12 is Right for You?

Capture One Price

Thankfully there’s a 30 day free trial on all Capture One Pro products.

There are several versions of Capture One, each with various other options to choose from, which can make the initial download process rather confusing.

Let’s ignore the different payment plans for now (see the section ‘Capture One Price’ below), and assume that most people will want to download a 30 day free trial of the main product before purchasing.

Here’s a simplified way of deciding which version is right for you:

#1 (Recommended) Capture One Pro 12 (Full Version)

(See latest price here)

Even if you own Sony or Fujifilm cameras (see below) your best best is to download the free trial of the full version of Capture One Pro 12 here, with support for over 500 different cameras.

If you operate a professional multi-user studio, and/or have an in-house production team, there’s also Capture One Studio – more info here.


Capture One announces special upgrade path to Capture One 22 for new users

Capture One 22 is releasing this December. To prepare new users for Capture One 22, Capture One has announced that for a limited time, photographers can purchase Capture One 21 now and get Capture One 22 for free in December.

From today through October 4 at 6:00 PM ET, if you buy Capture One 21, you'll get the next major release, Capture One 22, for free, rather than paying an upgrade fee. This deal is aimed at users who prefer to purchase lifetime user licenses rather than subscribe to Capture One. After all, subscribers receive all Capture One updates as soon as they're available at no additional cost.

While the full details of Capture One 22 haven't yet been revealed, we do know a couple of the major features coming in the next version: HDR merging and panorama stitching. The new software will also include many other improvements and optimizations, some of which we're likely to hear about before December's release.

For subscribers and users who take advantage of Capture One's new promotion, you will be able to freely download Capture One 22 as soon as it's released. For license users, you will simply use the same license key for both Capture One 21 and Capture One 22. When you upgrade, your Styles and preferences will carry over to the new version, although Capture One recommends backing up your software, just to be safe.

If you are interested in Capture One 22 but don't yet have Capture One 21, now is as good a time as any to give the popular photo editing application a shot. You can download a fully functioning free trial of Capture One 21 before taking advantage of the deal to see if Capture One is the right fit for your personal workflow.

Capture One 21 is available as a standard version for all camera brands for $299 for a lifetime license. For $199, users can purchase lifetime licenses for Capture One 21 for Fujifilm, Sony or Nikon. These brand-specific versions allow you to work exclusively with RAW files from a single brand. To view upgrade pricing, you must visit this page and sign in.


Capture One 21 is here

Transform your editing experience with a revolutionary Speed Edit tool and the most authentic color profiles yet.

Revolutionize how fast you edit photos. Speed Edit lets you work seamlessly without touching a slider on the interface – simply hold down selected hotkeys and scroll, drag or use the arrow keys to make rapid edits. You can even adjust multiple photos at once for the fastest ever batch edit.

Color control

Process photos with true-to-life colors tailored to your camera – then adjust them further with a full suite of color tools.

Details and lens profiles

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Image editing

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Focus your edits on specific parts of your image – without affecting the rest. Apply up to 16 layers and create precise masks to separate areas for editing.


From individual images to thousands of shots, stay on top of projects and files with smart management tools. Plus, get advanced settings to export different file types faster.

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Producent: Capture One
Kategori: Software

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3 Replies to “Capture one pro”

  1. I have a bone spur on my lower back I seriously think I even feel it on my tailbone and nos it’s hurting my left leg especially when I push my leg backwards. Will this exercise be ok to do?

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